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Gotham

“Little Pittsburgh”: Creating an Industrialized Landscape in Hunts Point

“Little Pittsburgh”: Creating an Industrialized Landscape in Hunts Point

By Sam Hege

Since the 1950s, New York City has relied on the South Bronx to handle the vital and taxing components of its processing and distribution infrastructures. This strategy began with the decision to relocate the Terminal Market from downtown Manhattan to the Hunts Point peninsula, and has since been used to justify the siting of waste transfer stations, prisons, and industrial processing facilities. This consolidation of waste and congestion to the South Bronx supported the emergence of Manhattan as a tourist destination and financial capital, embodied by the redevelopment of the Manhattan market space as part of the World Trade Center project.

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Review: Clifford Mason's Macbeth in Harlem

Review: Clifford Mason's Macbeth in Harlem

Reviewed by Kristen Wright

Clifford Mason’s Macbeth in Harlem traces how African-American theater artists shaped theater in the United States, beginning in the early 19th century and ending in the mid-20th century. Mason reveals how events gave rise to different Black performers and movements, beginning with Harlem’s particular contributions to Broadway and concluding with a discussion of the post-World War II conditions that gave rise to Lorraine Hansberry’s 1959 play A Raisin in The Sun.

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Pets, Stowaways, Souvenirs, and Snakes: The Living Gifts New Yorkers Donated to the Bronx Zoo in the Early 20th Century

Pets, Stowaways, Souvenirs, and Snakes

By Katherine McLeod

From 1899 to 1914, people around the world gave over 12,000 animals to the New York Zoological Park in the Bronx (almost 5,000 of them were snakes). Donations to the zoo fulfilled two purposes: they supplied the zoological park with more animals, and, perhaps more importantly, helped the zoo form a relationship with certain communities around them. This project is a focused look at a section of these animal donors, the people of New York City.

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Review: Sven Beckert and Christine Desan, eds., American Capitalism: New Histories

The New History of Capitalism’s Big Tent

Reviewed by John N. Blanton

American Capitalism: New Histories, edited by Sven Beckert and Christine Desan, encapsulates the diverse, expansive historical work that has come to define the NHC in the decade since it first burst onto the historiographical scene in the wake of the 2007 financial crisis. In their brisk introduction to the volume, Beckert and Desan sketch the intellectual genealogies of NHC scholarship and lay out its program in broad strokes, necessary given the wide variety of scholarship brought together in American Capitalism.

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How the Police Benevolent Association Became a Political Force

How the Police Benevolent Association Became a Political Force

By Chris Hayes

Among the many other unusual events we have experienced in 2020, the NYPD’s Police Benevolent Association (PBA) has endorsed a presidential candidate for the first time in decades. We commonly think of the police as having a variety of powers — detention, arrest, violence — but we often fail to consider the ways that they can and do exert political power. Today’s PBA is a thoroughly political organization, willingly going to war with mayors across the decades and spectrum, including Dinkins, Giuliani, and De Blasio, and has been quite successful in fending off oversight and accountability at both local and state levels.

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Those Who Know Don’t Say: Interview with Garrett Felber

Those Who Know Don’t Say: Interview with Garrett Felber

Interviewed by Kenneth M. Donovan

Today on the blog, Kenneth Donovan interviews Garrett Felber about his recently published book Those Who Know Don’t Say: The Nation of Islam, The Black Freedom Struggle, and the Carceral State. Those Who Know, which reevaluates the civil rights activism and legacy of the Nation of Islam, was shortlisted for the 2020 Museum of African American History Stone Book Award.

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“My Colored House is on Fire”: Children, Housing, and the Architecture of Black Charity in San Juan Hill

“My Colored House is on Fire”: Children, Housing, and the Architecture of Black Charity in San Juan Hill

By Jessica Larson

Following their displacement from the Tenderloin in the early 1900s, Manhattan’s largest Black population moved northward and sought to rebuild their community’s infrastructure in San Juan Hill, an area bounded by 59th Street to the south, 65th Street to the north, Amsterdam Avenue to east, and West End Avenue to the west. Black reformers — the majority of whom were women — worked to construct a neighborhood that offered to its residents missing social welfare services.

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The World That Fear Made: Interview with Jason T. Sharples

The World That Fear Made: Interview with Jason T. Sharples

Interviewed by Madeline Lafuse

Today on the blog, Madeline Lafuse speaks with Jason T. Sharples, author of the recently published The World That Fear Made : Slave Revolts and Conspiracy Scares in Early America, about how the fear of slave conspiracies shaped New York City and early America.

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Interview with Douglas J. Flowe on Uncontrollable Blackness: African American Men and Criminality in Jim Crow New York

Interview with Douglas J. Flowe on Uncontrollable Blackness: African American Men and Criminality in Jim Crow New York

Interviewed by Willie Mack

African American men in early 20th-century New York City faced social and economic segregation, and a racist criminal justice system punctuated by violence by the police and white citizens. In Uncontrollable Blackness: African American Men and Criminality in Jim Crow New York, Dr. Douglas Flowe interrogates the effects that segregation, crime, and violence had on black men, and how these men were forced to navigate the “crucible of black criminality” in Jim Crow Era New York City in order to survive.

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Prehistoric and Ahead of Her Time: Sapphasaura at the Museum of Natural History

Prehistoric and Ahead of Her Time: Sapphasaura at the Museum of Natural History

By Rachel Pitkin

In the summer of 1973, members of the newly formed Lesbian Feminist Liberation (LFL) group were engaged in a unique construction project in the Upper West Side backyard of one of its members, Robin Lutsky. A physically onerous labor of love, the project unfolded over ten days of round-the-clock attention, a last-ditch protest effort to gain the attention of one of New York’s most celebrated yet controversial institutions: the American Museum of Natural History (AMNH).

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